Bestiary by EloraM232010/11/24 03:59 In the European Middle Ages a bestiary was a collection of stories, each based on a description of certain qualities of an animal, plant, or even stone. The stories presented Christian allegories for moral and religious instruction and admonition.
Often illustrated, the earliest known bestiary dates from the 9th century.
In Greek mythology, Pegasus is the winged horse that was fathered by Poseidon with Medusa. When her head was cut of by the Greek hero Perseus, the horse sprang forth from her pregnant body. His galloping created the well Hippocrene on the Helicon (a mountain in Boeotia).
When the horse was drinking from the well Pirene on the Acrocotinth, Bellerophon's fortress, the Corinthian hero was able to capture the horse by using a golden bridle, a gift from Athena. The gods then gave him Pegasus for killing the monster Chimera but when he attempted to mount the horse it threw him off and rose to the heavens, where it became a constellation (north of the ecliptic).
In another version, Bellerophon killed the Chimera while riding on Pegasus, and when he later attempted to ride to the summit of Mount Olympus, Zeus sent a gadfly to sting the horse, and it threw Bellerophon off its back.
In ancient Greek and Egyptian mythology, the phoenix is a mythical bird and associated with the Egyptian sun-god Re and the Greek Phoibos (Apollo). According to the Greeks the bird lives in Arabia, nearby a cool well. Each morning at dawn, it would bathe in the water and sing such a beautiful song, that the sun-god stops his chariot to listen. There exists only one phoenix at the time.
When it felt its death approaching (every 500 or 1461 years), it would build a nest of aromatic wood and set it on fire, and was consumed by the flames. When it was burned, a new phoenix sprang forth from the pyre. It then embalmed the ashes of its predecessor in an egg of myrrh and flew with it to Heliopolis ( "city of the sun" ). There it would deposit the egg on the altar of the sun god.
In Egypt is was usually depicted as a heron, but in the classic literature as a peacock, or an eagle. The phoenix symbolizes immortality, resurrection, and life after death. In that aspect it was often placed on sarcophagi. It is associated with the Egyptian Benu, the Garuda of the Hindus, and the Chinese Feng-huang.
Judaic lore mentions that the phoenix achieved its unique status as an immortal bird because it refrained from bothering the overburdened Noah during the Flood voyage (Sanh. 108b).
One day, when King Arthur stopped to rest by a spring, he was surprised by a sound like thirty baying hounds. A strange animal with a snakes head the body of a leopard the back legs of a lion and the hooves of a deer burst through the underbrush, pursued by king Pellinore. Pellinore had hunted the Questing Beast, as the creature was called, all his life but never managed to capture it. Malory describes it as "the strongeste beste that ever he [Arthur] saw or herde of."
This strange best reappears frequently, beginning with Suite du Merlin and Perlesvaus, in French, Spanish, and Italian romance and in Malory.
Many monsters were created on the Sixth Day, some destroyed during the Flood, some still with us. The re'em is described as a giant even among these strange animals. At any given time, only two exist, one male and one female, because had more of them existed, the world could not support them. No one is certain what the re'em looks like. The sources describe him as fierce, fast, and indomitable. Scholars argue about the number of his horns, some say he has one, like a unicorn or a rhinoceros. Some say two, and he could be related to the giant aurochs (Bos primigenius), a species of a wild ox that became extinct during the sixteenth century. On the other hand, he may be a purely mythological creature, based on the bas-reliefs of the huge Mesopotamian and Egyptian beasts that were unquestionably familiar to the Jews of the Talmudic era.
The re'ems live at the opposite ends of the earth, one in the east, the other in the west, and for seventy years never see each other . until the day of their mating. Finally they meet, mate once, and then the female kills the male with one bite.
The female becomes pregnant, and her pregnancy lasts for twelve years. During the last year she cannot walk, only role from side to side, and she survives only because her saliva waters the earth around her sufficiently to produce enough vegetation for her support. Instead of giving birth, her stomach bursts open and she dies instantly. However, twins are born, one male and one female. They get up immediately and wander away, one to the east, one to the west.
During the flood, when Noah collected all the animals into the arc, the re'ems came to join the procession. However, because of their giant size, they could not fit into the arc. Yet Noah saved them. One version claims he tied them behind the arc, and they followed it by running and later by swimming. Another version tells that the flood happened just as the young re'ems were born, so they were small enough to fit in the arc.
King David had an encounter with a re'em. When David was still a simple shepherd, he saw a sleeping re'em and thought it was a mountain. He started climbing it, and the re'em woke up and lifted David on his gigantic horns. David vowed that if God saved his life, he would build Him a temple, a building as high as the re'em himself. God heard him and sent a lion. As the lion is the king of the beasts, the re'em bowed to him by prostrating himself on the ground, and David could descend from the horns. Then God sent a deer, and the lion started chasing her. So David was saved from both the lion and the re'em.
In Arabian legends, the Roc are gigantic birds, often referred to as 'the Great', and capable of carrying off elephants for food. They are found in various stories of 'The Thousand and One Nights', and are also mentioned to by Marco Polo on his travels. Their eggs, according to Sinbad the Sailor, could measure up to 50 paces in circumference.
The Rocs are probably based on the Elephant-bird, which lived on Madagascar.
Maybe the most curious bird of all is the Safat. She is supposed to spend all her time flying and never comes to rest. As she soars, usually high, she lays her eggs which hatch while they are falling through the air. Only the shells reach the ground, and if part of a shell is eaten by an animal, the animal will go mad.
Imaginary snake-like creatures of monstrous size that inhabit the deep. In the early times of seafaring, but also until more recent times, many sailors mentioned the existence of such creatures, and they were accounted for destroying a great number of ships. These tales were largely exaggerated and probably based on sightings of large amounts of floating seaweed and ordinary marine creatures such as a sea snake and oarfish. A monster such as a sea snake is reputed to exist in Loch Ness.
The shy Selkies are marine creatures in the shape of a seal. They can be found near the islands of Orkney and Shetland. A female can shed her skin and come ashore as a beautiful woman. When a man finds the skin, he can force the Selkie to be a good, if somewhat sad, wife. Should she ever recover the skin, she will immediately return to sea, leaving her husband behind. The male Selkies are responsible for storms and also for the sinking of ships, which is their way of avenging the hunting of seals.
In Persian legend Simurgh is a gigantic, winged monster in the shape of a bird; a kind of peacock with the head of a dog and the claws of a lion. Its natural habitat is a place with plenty of water. According to legend, the creature is so old that it has seen the world destroyed three times over. In all that time, Simurgh has learned so much that it is thought to possess the knowledge of all ages.
A mythical creature of the Indonesian Batak people who live in the mountains in Sumatra. Although the name means "lion", it resembles no living creature. Its representation, generally confined to the head, is the synthesis of several superior forms of creation and its appearance varies between the buffalo and a distorted human figures. However, some Singas show clearly identifiable legs beside the face and every form of intermediate between the Singa and the clearly anthropomorphic is to be found. Characteristics are invariable the bilateral symmetry, the lengthened face, and round impressive eyes, occasionally accompanied by highly developed eye-brows (which at time are depicted almost like antlers).
The Singa is the dominant theme of Batak decoration, particularly among the Toba Batak where it is to be found on houses, domestic utensils, wooden coffins, stone sarcophagi, copper jewelry, etc. Its omnipresence would seem to indicate above all a protective role.
In ancient Egypt, the Sphinx is a male statue of a lion with the head of a human, sometimes with wings. Most sphinxes however represent a king in his appearance as the sun god. The name "sphinx" was applied to the portraits of kings by the Greeks who visited Egypt in later centuries, because of the similarity of these statues to their Sphinx. The best known specimen is the Great Sphinx of Gizeh (on the western bank of the Nile) which is not a sphinx at all but the representation of the head of king Khaf-Ra (Chephren) on the body of a crouching body. It was supposedly built in the 4th dynasty (2723-2563 BCE), although others claim it dates back to the 7th-5th millennium.
The Greek Sphinx was a demon of death and destruction and bad luck. She was the offspring of Typhon and Echidna. It was a female creature, sometimes depicted as a winged lion with a feminine head, and sometimes as a female with the breast, paws and claws of a lion, a snake tail and bird wings. She sat on a high rock near Thebes and posed a riddle to all who passed. The riddle was: "What animal is that which in the morning goes on four feet, at noon on two, and in the evening upon three?" Those who could not solve the riddle were strangled by her. Finally Oedipus came along and he was the only who could answer that it was "Man, who in childhood creeps on hands and knees, in manhood walks erect, and in old age with the aid of a staff." The Sphinx was so mortified at the solving of her riddle that she cast herself down from the rock and perished.
The name 'sphinx' is derived from the Greek sphingo, which means "to strangle". In ancient Assyrian myths, the sphinx usually appears as a guardian of temple entrances.
Also known as the tunnel worm, jumping worm or mountain stump. The tazel worm, a worm-like lizard about two to three feet long with two or four short legs, is said to be so poisonous that even its breath could kill a human. It is also said to be very agressive, attacking anything that moves. Rumored to live in the Alps, some say that it can jump two or three yards in one bound. Its scales are supposedly so thick that blades cannot pierce them.
A half-man half-horse creature from Philippine folklore. It lives in secluded areas in swamps. It is said that the knees of the tikbalang rise above its head, hiding its face. The tikbalang is responsible for misleading travelers so that they will get lost. However, a traveler may find his way back by wearing his shirt inside-out. It is also believed that if it rains with the sun fully out, a tikbalang is getting married.
In Scandinavian myth, trolls are ugly, malicious creatures and the enemies of mankind. They are much bigger and stronger than humans, and leave their caves only after dark to hunt. If they are exposed to sunlight they will instantly turn to stone. Trolls are very fond of human flesh. In later myths they are roughly the size of humans or elves, and thought to be the owners of buried treasures. They are sometimes, although very rarely, portrayed as friendly, less ugly creatures.
The unicorn is a legendary animal. It is usually portrayed as a slender, white horse with a spiraling horn on its forehead, although its appearance and behavior differs, depending on the location. In the west it was usually considered wild and untamable, while in the Orient it was peaceful, meek and thought to be the bringer of good luck. There it is usually depicted as a goat-like creature, with cloven hooves and a beard. In Japan it is called Kirin, and in China Ki-lin.
The word "unicorn" is based on the Hebrew word re'em ( "horn" ), in early versions of the Old Testament translated as "monokeros", meaning "one horn", which became "unicorn" in English. The creature is possibly based on the rhinoceros or the narwhal, a marine creature with one horn.
In the west it was first mentioned by the Greek historian Ctesias in 398 BCE. According to him they lived in India and he described them as 'wild asses which are as big as a horse, even bigger. Their bodies are white, their heads dark red and their eyes are deep blue. They have a single horn on their forehead which is approximately half-a-meter long.' This description was based on the tales of travelers, and is a mixture of an Indian rhinoceros, the Himalayan antelope, and the wild ass.
The horn itself is white at the base, black in the middle and with a sharp, red tip. It is believed to possess healing abilities. Dust filed from the horn was thought to protect against poison, and many diseases. It could even resurrect the dead. Amongst royalty and nobility in the Middle Ages, it became quite fashionable to own a drinking cup made of the horn of an unicorn, not in the least because it was supposed to detect poison.
The belief in the healing abilities of the horn is probably based on a medieval story. In this particular tale, many animals once gathered around a pool in the midst of night. The water was poisoned and they could not drink from it, until a unicorn appeared. He simply dipped his horn in the pool and the water became fresh and clean again.
Another medieval story tells of the capture of a unicorn by a maiden. The unicorn was far too fast and wild for the man that was hunting him. He could only be tamed by a maiden who sat lonely underneath a tree in the woods. Attracted by the scent of purity he would lay his head on her lap and she would rock him to sleep. Then she would cut of his horn, and leave him for the hunter and his dogs.
There have been attempts to give these tales a Christian interpretation. In the first tale the horn symbolizes the cross and the pool the sins of the world. In the second story the maiden was Maria, the unicorn Jesus Christ and the horn a representation of the unity of the Father and the Son. Jesus, embodied in the unicorn, was killed for sake of a sinful world.
In Zulu tradition, a mythical chameleon that was send by the sky-god to tell humanity they had eternal life. Because the creature was so slow, humans and other species became mortal after all. The color of a chameleon changes from green to brown, this because it mourns the fact that Unwaba was too slow.
The tale of the Vegetable Lamb of Tartary comes from the Middle Ages, a traveler's tale from the far east. It's full name was 'Planta Tartarica Barometz' - 'barometz' is the Tartar word for 'lamb'. The fruit of the Vegetable Lamb was cotton, but travelers from Europe knew nothing about cotton in those times. They reasoned that the material was wool - a fabric they did know. The figured that since wool came from sheep, and that the plant was some kind of animal/plant. They thought that the puffs of cotton were tiny sheep attached to the plant by their navel. It is said that the plant bent to let the sheep graze on the grass beneath it, and that when all the grass was gone, the sheep dropped from the plant and ran off, the tree dying.
The myth of the Vegetable Lamb dates back to the 11th century in the Middle and Far East. It is a species of fern. The 'body' of the Vegetable Lamb is the root of the plant.